Webster was much possessed by death,
And saw the skull beneath the skin,
And breastless creatures under ground
Leaned backward with a lipless grin.
Daffodil bulbs instead of balls
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.
– from “Whispers of Immortality” by T. S. Eliot
The White Devil and The Duchess of Malfi, the twin pillars on which Webster’s reputation primarily stands, make for a fascinating comparison. They are both clearly products of a dramatist in full control of the craft of playwrighting; they are also, equally clearly, the products of an author who did not see much in humanity to inspire confidence in its essential goodness or nobility – who, indeed, could not even see the possibility of redemption. But while The White Devil is a flamboyant work of bold, vigorous and colourful…
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